In here, I’m not James’s ex-wife, or Sarah’s always-put-together mother, or the quiet woman at school functions. I’m just Amelia, a composer who hears the world in counterpoint and harmony.
My phone chimes at 10:45 a.m., pulling me out of my musical trance. I assume it’s my agent with more contract details, but when I check, it’s an email from Gage.
Holy shit. He actually sent it on time. Earlier, in fact.
When I open the attachment, my jaw nearly drops. This isn’t just a draft for me to add to or improve. It’s comprehensive, thoughtful, and detailed. He’s included everything we discussed, including the things I mentioned this morning, plus aspects I hadn’t even considered like contingency plans for common issues like absences on presentation day.
Without thinking, I text him.
Me:
Did you really write this, or did you have an assistant do it?
His response comes quickly.
Gage:
Hello to you too, Amelia.
I can almost hear his dry tone.
Me:
Seriously, this is extremely thorough.
Gage:
You sound surprised.
Me:
I am. Most people’s idea of “thorough” is not this.
Gage:
I’m not most people.
No, he certainly isn’t.
Me:
The display guidelines are particularly impressive.
Gage:
We can’t have the fair turning into a circus of glitter and vinegar.
I can’t stop the smile on my face and find myself madly texting a reply to that.
Me:
Your sarcasm is noted.
Me:
Thank you. This is excellent. I’ll send it to Mrs. Liu today.
Gage: