Page 42 of Last Night

‘Woah,’ Justin says, and we boggle at each other at the eminent plausibility of this being Fin’s current, concurrent project.

‘Alright you two, this isn’t an episode ofInspector Morse,’ Ed says. ‘Concentrate on the tasks in hand.’

15

We decide, after Fin’s flourish of a departure, to sketch out the order of service before I go to the printers.

A Celebration (??) of the Life of …

‘Are we going with “celebration” – yay, look on the bright side?’ I say, looking sceptically at my own words. ‘I see no cause for optimism.’ I add another question mark.

‘It’s not saying there’s an upside. It’s saying we won’t only weep and lament but also remember why it was so good to have had her here,’ Ed says.

‘Yeah, I agree with that,’ Justin says. ‘We’re celebrating Susie, not celebrating her death. That’s a category error.’

‘But “In Memory of” seems more neutral?’ I say. ‘With celebration I worry people will think they’re meant to wear jaunty colours and all that jazz.’

‘It feels like “In Memory of” is more for old people,’ Ed says. ‘Not so much for Susie.’

‘Nothing about this feels right for Susie,’ I say, instantly raw.

‘So it’s …’

I write, carefully:

A Celebration of the Life of

Susannah Carole Octavia Hart

‘She hated her middle names,’ I say. ‘No one was allowed to know them! I can hear her now saying “Strike that shit off there, you’re showing me up!”’

‘Yeah, I used to call her “Cocktavia” and get hit with her knuckleduster rings,’ Justin says, and I laugh, and for once it’s not just a weak teary laugh. I sense recovery may be buried somewhere in laughter. Partial recovery.

‘Her mum loved Carole Lombard,’ I say. ‘You know, married to Clark Gable? I can remember Susie fuming that Carole was “not a film star name by the 1980s, it was a ‘can I speak to the manager’ name.”’

‘Where did Octavia come from?’ Ed says and Justin says ‘Škoda.’

As they guffaw, I think about how there are still things I know about Susie’s origins that they don’t, having had ten years’ jump on them. Octavia was her gran.

We’ve chosen a photograph for the cover of the order of service. The useful thing about our social media era is that profile pictures on Facebook provide a nest-clutch of images you know for sure the user liked, or at least was happy enough with to make public. Susie had very definite ideas about things, she was very certain of her own mind.

We feel reassured that the snap of her on a ferry, blonde-brown hair whipping round her face as she grins stoically through rain, complexion rosy in the cold, was as attractive to her as it was to us, if it had been available viewing to everyone on the internet in years gone by. It’s from her late twenties, but she looked no different. There was a younger one at a wedding which we pondered, before deciding it was too ‘puppyish pre twenty-five’ to those who knew her face well.

They’re quite strange, the calculations you find yourself making. There’s no rule that says the photograph has to closely resemble the person at the point they passed, but it feels as if there is.

If I stare at the picture too long, I go slightly light-headed. She is right there, and yet not here.

‘Maybe use the initials for her middle names then, like on official documentation, or your bank card?’ Ed says, not entirely serious.

‘We can’t call her “Susannah. C.O. Hart”. That makes her sound like a 1950s movie studio mogul,’ I say.

‘Or Irish, to be sure to be sure. Susannah Cee O’Hart, so it is,’ Justin says.

‘What about Susannah Hart?’ I say.

‘If you’re giving her the full first name but not the middle name it feels unbalanced, somehow,’ Ed says.

‘Susie Hart? Too casual?’ I say. ‘It’s how everyone knew her. Except maybe in close family.’

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