That afternoon his visit at the Irvines’ is brief because Mr. Irvine is tired, and on his way out he sees Flora—Fabulous Flora, of whom Malcolm was so proud and so envious—and they speak for a few minutes before he leaves. It is early October but still warm, the mornings like summer but the afternoons turning dark and wintry, and as he walks up Park to his car, he remembers how he used to spend his Saturdays here twenty years ago: more. Then he would walk home, and on his way he would occasionally stop by a famous, pricey bakery on Madison Avenue that he liked and buy a loaf of walnut bread—a single loaf cost as much as he was willing to spend on a dinner back then—that he and Willem would eat with butter and salt. The bakery is still there, and now he veers west off Park to go buy a loaf, which somehow seems to have remained fixed in price, at least in his memory, while everything else has grown so much more expensive. Until he began his Saturday visits to Lucien and the Irvines, he couldn’t remember the last time he was in this neighborhood in daytime—his appointments with Andy are in the evenings—and now he lingers, looking at the pretty children running down the wide clean sidewalks, their pretty mothers strolling behind them, the linden trees above him shading their leaves into a pale, reluctant yellow. He passes Seventy-fifth Street, where he once tutored Felix, Felix who is now, unbelievably, thirty-three, and no longer a singer in a punk band but, even more unbelievably, a hedge fund manager as his father once was.
At the apartment he cuts the bread, slices some cheese, brings the plate to the table and stares at it. He is making a real effort to eat real meals, to resume the habits and practices of the living. But eating has become somehow difficult for him. His appetite has disappeared, and everything tastes like paste, or like the powdered mashed potatoes they had served at the home. He tries, though. Eating is easier when he hasto perform for an audience, and so he has dinner every Friday with Andy, and every Saturday with JB. And he has started appearing every Sunday evening at Richard’s—together the two of them cook one of Richard’s kaley vegetarian meals, and then India joins them at the table.
He has also resumed reading the paper, and now he pushes aside the bread and cheese and opens the arts section cautiously, as if it might bite him. Two Sundays ago he had been feeling confident and had snapped open the first page and been confronted with a story about the film that Willem was to have begun shooting the previous September. The piece was about how the movie had been recast, and how there was strong early critical support for it, and how the main character had been renamed for Willem, and he had shut the paper and had gone to his bed and had held a pillow over his head until he was able to stand again. He knows that for the next two years he will be confronted by articles, posters, signs, commercials, for films Willem was to have been shooting in these past twelve months. But today there is nothing in the paper other than a full-page advertisement forThe Dancer and the Stage, and he stares at Willem’s almost life-size face for a long, long time, holding his hand over its eyes and then lifting it off. If this were a movie, he thinks, the face would start speaking to him. If this were a movie, he would look up and Willem would be standing before him.
Sometimes he thinks: I am doing better. I am getting better. Sometimes he wakes full of fortitude and vigor. Today will be the day, he thinks. Today will be the first day I really get better. Today will be the day I miss Willem less. And then something will happen, something as simple as walking into his closet and seeing the lonely, waiting stand of Willem’s shirts that will never be worn again, and his ambition, his hopefulness will dissolve, and he will be cast into despair once again. Sometimes he thinks: I can do this. But more and more now, he knows: I can’t. He has made a promise to himself to every day find a new reason to keep going. Some of these reasons are little reasons, they are tastes he likes, they are symphonies he likes, they are paintings he likes, buildings he likes, operas and books he likes, places he wants to see, either again or for the first time. Some of these reasons are obligations: Because he should. Because he can. Because Willem would want him to. And some of the reasons are big reasons: Because of Richard. Because of JB. Because of Julia. And, especially, because of Harold.
A little less than a year after he had tried to kill himself, he and Haroldhad taken a walk. It was Labor Day; they were in Truro. He remembers that he was having trouble walking that weekend; he remembers stepping carefully through the dunes; he remembers feeling Harold trying not to touch him, trying not to help him.
Finally they had sat and rested and looked out toward the ocean and talked: about a case he was working on, about Laurence, who was retiring, about Harold’s new book. And then suddenly Harold had said, “Jude, you have to promise me you won’t do that again,” and it was Harold’s tone—stern, where Harold was rarely stern—that made him look at him.
“Harold,” he began.
“I try not to ask you for anything,” Harold said, “because I don’t want you to think you owe me anything: and you don’t.” He turned and looked at him, and his expression too was stern. “But I’m asking you this. I’m asking you. You have to promise me.”
He hesitated. “I promise,” he said, finally, and Harold nodded.
“Thank you,” he said.
They had never discussed this conversation again, and although he knew it wasn’t quite logical, he didn’t want to break this promise to Harold. At times, it seemed that this promise—this verbal contract—was the only real deterrent to his trying again, although he knew that if he were to do it again, it wouldn’t be an attempt: this time, he would really do it. He knew how he’d do it; he knew it would work. Since Willem had died, he had thought about it almost daily. He knew the timeline he’d need to follow, he knew how he would arrange to be found. Two months ago, in a very bad week, he had even rewritten his will so that it now read as the document of someone who had died with apologies to make, whose bequests would be attempts to ask for forgiveness. And although he isn’t intending to honor this will—as he reminds himself—he hasn’t changed it, either.
He hopes for infection, something swift and fatal, something that will kill him and leave him blameless. But there is no infection. Since his amputations, there have been no wounds. He is still in pain, but no more—less, actually—than he had been in before. He is cured, or at least as cured as he will ever be.
So there is no real reason for him to see Andy once a week, but he does anyway, because he knows Andy is worried he will kill himself.Heis worried he will kill himself. And so every Friday he goes uptown.Most of these Fridays are just dinner dates, except for the second Friday of the month, when their dinner is preceded by an appointment. Here, everything is the same: only his missing feet, his missing calves, are proof that things have changed. In other ways, he has reverted to the person he was decades before. He is self-conscious again. He is scared to be touched. Three years before Willem died he had finally been able to ask him to massage the cream into the scars on his back, and Willem had done so, and for a while, he had felt different, like a snake who had grown a new skin. But now, of course, there is no one to help him and the scars are once again tight and bulky, webbing his back in a series of elastic restraints.
He knows now: People don’t change. He cannot change. Willem had thought himself transformed by the experience of helping him through his recovery; he had been surprised by his own reserves, by his own forebearance. But he—he and everyone else—had always known that Willem had possessed those characteristics already. Those months may have clarified Willem to himself, but the qualities he had discovered had been a surprise to nobody but Willem. And in the same way, his losing Willem has been clarifying as well. In his years with Willem, he had been able to convince himself that he was someone else, someone happier, someone freer and braver. But now Willem is gone, and he is again who he was twenty, thirty, forty years ago.
And so, another Friday. He goes to Andy’s. The scale: Andy sighing. The questions: his replies, a series ofyesesandnos. Yes, he feels fine. No, no more pain than usual. No, no sign of wounds. Yes, an episode every ten days to two weeks. Yes, he’s been sleeping. Yes, he’s been seeing people. Yes, he’s been eating. Yes, three meals a day. Yes, every day. No, he doesn’t know why he then keeps losing weight. No, he doesn’t want to consider seeing Dr. Loehmann again. The inspection of his arms: Andy turning them in his hands, looking for new cuts, not finding any. The week after he returned from Beijing, the week after he had lost control, Andy had looked at them and gasped, and he had looked down, too, and had remembered how bad it had been at times, how insane it had gotten. But Andy hadn’t said anything, just cleaned him up, and after he had finished, he had held both of his hands in both of his.
“A year,” Andy had said.
“A year,” he had echoed. And they had both been silent.
After the appointment, they go around the corner to a small Italian restaurant that they like. Andy is always watching him at these dinners, and if he thinks he’s not ordering enough food, he orders an additional dish for him and then badgers him until he eats it. But at this dinner he can tell Andy is anxious about something: as they wait for their food, Andy drinks, quickly, and talks to him about football, which he knows he doesn’t care about and never discusses with him. Andy had talked about sports with Willem, sometimes, and he would listen to them argue over one team or another as they sat at the dining table eating pistachios and he prepared dessert.
“Sorry,” Andy says, at last. “I’m babbling.” Their appetizers arrive, and they eat, quietly, before Andy takes a breath.
“Jude,” he says, “I’m giving up the practice.”
He has been cutting into his eggplant, but now he stops, puts down his fork. “Not anytime soon,” Andy adds, quickly. “Not for another three years or so. But I’m bringing in a partner this year so the transition process will be as smooth as possible: for the staff, but especially for my patients. He’ll take over more and more of the patient load with each year.” He pauses. “I think you’ll like him. I know you will. I’m going to stay your doctor until the day I leave, and I’ll give you lots of notice before I do. But I want you to meet him, to see if there’s any sort of chemistry between you two”—Andy smiles a bit, but he can’t bring himself to smile back—“and if there’s not, for whatever reason, then we’ll have plenty of time to find you someone else. I have a couple of other people in mind who I know would be amenable to giving you the full-service treatment. And I won’t leave until we get you settled somewhere.”
He still can’t say anything, can’t even lift his head to look at Andy. “Jude,” he hears Andy say, softly, pleadingly. “I wish I could stay forever, for your sake. You’re the only one I wish I could stay for. But I’m tired. I’m almost sixty-two, and I always swore to myself I’d retire before I turned sixty-five. I—”
But he stops him. “Andy,” he says, “of course you should retire when you want to. You don’t owe me an explanation. I’m happy for you. I am. I’m just. I’m just going to miss you. You’ve been so good to me.” He pauses. “I’m so dependent on you,” he admits at last.
“Jude,” Andy begins, and then is silent. “Jude, I’ll always be your friend. I’ll always be here to help you, medically or otherwise. But youneed someone who can grow old with you. This guy I’m bringing in is forty-six; he’ll be around to treat you for the rest of your life, if you want him.”
“As long as I die in the next nineteen years,” he hears himself saying. There’s another silence. “I’m sorry, Andy,” he says, appalled by how wretched he feels, how pettily he is behaving. He has always known, after all, that Andy would retire at some point. But he realizes now that he had never thought he would be alive to see it. “I’m sorry,” he repeats. “Don’t listen to me.”
“Jude,” Andy says, quietly. “I’ll always be here for you, in one way or another. I promised you way back when, and I still mean it now.
“Look, Jude,” he continues, after a pause. “I know this isn’t going to be easy. I know that no one else is going to be able to re-create our history. I’m not being arrogant; I just don’t think anyone else is going to totally understand, necessarily. But we’ll get as close as we can. And who couldn’t love you?” Andy smiles again, but once more, he can’t smile back. “Either way, I want you to come meet this new guy: Linus. He’s a good doctor, and just as important, a good person. I won’t tell him any of your specifics; I just want you to meet him, all right?”
So the next Friday he goes uptown, and in Andy’s office is another man, short and handsome and with a smile that reminds him of Willem’s. Andy introduces them and they shake hands. “I’ve heard so much about you, Jude,” Linus says. “It’s a pleasure to meet you, finally.”
“You too,” he says. “Congratulations.”
Andy leaves them to talk, and they do, a little awkwardly, joking about how this meeting seems like a blind date. Linus has been told only about his amputations, and they discuss them briefly, and the osteomyelitis that had preceded them. “Those treatments can be a killer,” Linus says, but he doesn’t offer his sympathy for his lost legs, which he appreciates. Linus had been a doctor at a group practice that he’d heard Andy mention before; he seems genuinely admiring of Andy and excited to be working with him.