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I see it coming in the set of his neck and take it on the crown of my forehead where it won’t ring.

He grunts and goes for my jacket, off-balance now, small panic showing.

I pin his wrist against the door frame and put my knee into his thigh.

It folds the way bad training folds when it finally meets a wall.

He tries to yell.

I squeeze his windpipe enough to turn the yell into a cough.

More bodies gather at the far end of the hall.

I don’t need a crowd.

I need an exit.

“Rafe,” I say on the mic. “Elevator four. Up.”

“Two floors down,” Rafe answers.

The man stops being clever and starts being an animal.

He grabs for a fistful of fabric and finds none.

He reaches for the knife that isn’t there.

I feel the instant he remembers where he kicked it.

He shifts his foot to recover.

I step on his instep.

He pops with pain and goes low.

I ride him down and keep his arm locked.

Hospital security rounds the corner at a jog, two men with belts and radios who have seen enough brawls in waiting rooms to know not to get in the middle of one.

One points.

The other calls in a code I know they save for family fights.

Elisa is pressed to the wall, eyes sharp, not panicked.

She sees me look and gives one short nod.

I feel it in my chest like a second breath.

The elevator pings. Rafe steps out, big as a door.

He takes one look and moves to the flank.

The man under me clocks the new odds and makes a choice.

He goes limp for half a second like he’s quitting.

It’s a trick.