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A man with a beard like a confession opens when Nico mentions a name.

He recognizes Nico’s walk without asking, like a muscle memory for people who have to read faces.

The lot smells of diesel and stale coffee.

Boxes wait on pallets like small, impatient islands.

“You got a line?” the bearded man asks, voice dry.

“Just looking,” Nico says. “My friend needs proof of a missed delivery. We’re cleaning records for charity.”

The man blinks at the word charity and smiles the way someone smiles when they get a joke in a language they don't speak.

It loosens him.

He steps aside and lets us into the half-light of the warehouse.

Inside, It's an archive of small lies.

Manifests, crates stamped with names that mean less than they pretend.

A clipboard lies on a post like a tongue.

A man in a fluorescent vest argues quietly into a phone.

We don't interrupt.

Nico leans against the post like he owns the grain of the place.

I watch him watch everything.

“Where’s your manifest?” he asks.

The vest-man points to a stack on a table.

Papers flutter when someone breathes on them.

Marco’s men like neat handwriting.

That is how Marco gets rich.

He makes things look like they fit together.

I slide into the papers without being noticed.

Heads bend, the argument carries on, and I'm in the middle of a list of names that smell like money.

I trace a line with my finger.

Geno Petruzzi.

Old code number.

A delivery date two months ago.

A signature that could be anyone who has learned to hurry with a pen.

My fingers find the spot where the signature curls into a flourish that is wrong.