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“And you?”

“I told them I’m done after I clean up,” I say. “Two months. Maybe less.”

She looks at me like she’s waiting to see if I’m joking.

I’m not.

“You did that in there?” she says. “In that room?”

“Yes,” I say. “I didn’t ask for applause.”

“Good,” she says. “You wouldn’t have gotten any.”

I laugh. It feels like water hitting a pan.

“Don Vincent nodded,” I tell her. “Hard to say if I just made a smart move or offended somebody’s ghosts.”

“You always offend ghosts,” she says. “They expect it.”

We walk.

We don’t take the car.

We let the city be a city around us.

A kid runs past with a soccer ball that looks like it survived three wars.

A woman with a stroller stops to fix a blanket.

Somewhere, a radio argues with a window fan.

Ordinary noise is a kind of music.

“You sure you want out?” she asks after a block.

“I want boring,” I say. “I want to learn a pediatrician’s first name and never use it in a panic. I want to put flour on a counter that doesn’t have a map drawn under it. I want to be a man who pays taxes like a chump and complains about them at breakfast.”

“That last part you already do,” she says.

“Practice,” I say.

We cross under the train.

The wind pushes rain into our faces in soft points.

I take her hand because I can.

She squeezes once and then leaves our hands loose.

She likes freedom even while she holds on.

I like that about her.

“Leaving is going to be harder than surviving,” she says.

“It is,” I say. “But for the first time, it feels like a choice.”

“You made it a choice,” she says.